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제일 즐거운 하루여따 🍍 #두바이

Instagram Image by FRAME RECORDS (@frame_records_dxb) with caption : "FRAME RECORDS (F-0595) 🎧 Nightmares on Wax/Feelin' Good .
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The first Nightmares on Wax album in five years is George Ev" at Dubai Design District - 1784226163990665154

FRAME RECORDS (F-0595) 🎧 Nightmares on Wax/Feelin' Good . . The first Nightmares on Wax album in five years is George Evelyn's most organic and band-oriented release. Beside longtime collaborator Robin Taylor-Firth, Evelyn is joined by a roster of seasoned studio veterans: drummer Wolfgang Haffner, bassist Paul Powell, percussionist Andrew "Shovell" Lovell, vocalist Mozez, and string arranger Sebastian Studnitzky. It's not as if the album was recorded with a strictly old-school method, however; a fair portion of the elements sound producer-driven, heavily manipulated. Stylistically, the album is characteristically diverse for a NoW release, with easy listening, reggae, dub, soul, funk, disco, hip-hop, and downtempo all in the bright mix. Amid some well-made but not particularly stimulating material, the more energetic tracks -- the squelching "Now Is the Time" and the echo-soaked throwback dancefloor groove "Tapestry," the latter of which is almost as gritty as a Theo Parrish "ugly edit" -- stick out the most and leave deeper impressions. There's also some decent retro-soul in the seemingly Curtis Mayfield-inspired "Give Thx," which has some structural and melodic likeness to "People Get Ready." Appropriately titled, the album exudes warmth but occasionally sounds so relaxed that it seems to lack inspiration -- more suited for a department store soundtrack than vacation listening. . . . #두바이

Instagram Image by FRAME RECORDS (@frame_records_dxb) with caption : "FRAME RECORDS (F-0594) 🎧 Nightmares on Wax/Thought So…
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Thought So... is a bit of a travelogue for Nightmares on Wax," at Dubai Design District - 1784225825929739369

FRAME RECORDS (F-0594) 🎧 Nightmares on Wax/Thought So… . . Thought So... is a bit of a travelogue for Nightmares on Wax, consisting of tracks recorded in locales ranging from Leeds to Ibiza -- and definitely many places in between. Utilizing an intriguing studio named Camper Van Somewhere (as in, "Recorded on the..."), George Evelyn and Robin Taylor-Firthkeep their productions painfully sparse, par for the course in the NoW catalog. Sometimes they're a little too sparse, specifically the first few tracks, where listeners might get the feeling they're trapped back in 1996 -- when a naked breakbeat and an occasional effect or sample were the only things necessary for an innovative production. By the time they get to "Bringin It," however, it's clear that Evelyn and Taylor-Firth haven't lost their touch for finding grooves that transcend terms like lazy and instead achieve superlatives like effortless. There are a few additional moments of greatness ("Moretime" is a clear highlight), but also a few more tracks on the opposite side -- they may make for great background listening, but seem to require altered states to get through while focusing on the music. . . . #두바이

Instagram Image by FRAME RECORDS (@frame_records_dxb) with caption : "FRAME RECORDS (F-0592) 🎧 Nightmares on Wax/Mind Elevation .
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George Evelyn, the Nightmares on Wax producer who provided" at Dubai Design District - 1784225490360223912

FRAME RECORDS (F-0592) 🎧 Nightmares on Wax/Mind Elevation . . George Evelyn, the Nightmares on Wax producer who provided the template for 2000-2001's downbeat movement almost a decade before it became the bane of mix album fans, returned just in time with another LP of supremely chilled beats. Unfortunately, though, Mind Elevation isn't the unqualified triumph of Carboot Soul or Smoker's Delight, with Evelyn substituting a couple of vocal tracks for the trance-state trip-hop of his previous work. Admittedly, the acid jazz groover "Date with Destiny" and the breezy dub track "70s 80s" prove that Evelyn is surprisingly proficient at crafting a good production for use under a vocal, combining a bare few elements (like the good acid house producer he is) yet weaving them together well. And he can still stop time merely by repeating the right sample and manipulating the bass (as he does perfectly on "Humble" and "Say-Say"). Still, the NoWblueprint of skeletal productions and a clever eye to detail appears to fail him in several places. The faux classical "Bleu My Mind" doesn't even rise to the level of Classical Chillout, and far too many tracks don't even rise above the quality of fair to middling downbeat. Ironically, the fact that there are so many vocals really saves Mind Elevation from being the first bland record by Nightmares on Wax; as it is, there's something to focus on for those few tracks where the old production genius just doesn't seem to be there anymore. . . . #두바이

Instagram Image by FRAME RECORDS (@frame_records_dxb) with caption : "FRAME RECORDS (F-0589) 🎧 Flying Lotus/Los Angeles
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Before he started experimenting with left-field hip-hop beats and " at Dubai Design District - 1784225176550681579

FRAME RECORDS (F-0589) 🎧 Flying Lotus/Los Angeles . . Before he started experimenting with left-field hip-hop beats and electronic samples, Steven Ellison, aka Flying Lotus, experienced a moment of enlightenment. While filming a documentary about his great aunt/spiritual advisor Alice Coltrane and his cousin Ravi Coltrane, their cab driver asked if they were musicians. Alice responded that, in fact, the three of them were, except Steven didn't know it yet. It was a turning point, and soon after, when he viewed an ad challenging aspiring beat-makers to send in music to be used for Cartoon Network's Adult Swim bumpers, he took a chance on a whim, sent out a demo, and landed himself a paid position pumping out silky tracks for promos of his favorite shows. As an avid gamer, it was only natural that he would create downtempo Boards of Canada beats sauced with retro 8-bit bleeps and chimes, and these were a perfect fit for the Nintendo generation fan base of Adult Swim. Lotus' second full-length, Los Angeles, expands on fractured Zelda grooves, muddy bass stamps, and glitched drum loops to stir up nonintrusive computer chillout music modeled for a hip graphic designer's headphones. It could be considered headphone candy, but with the beats as liquefied and squishy as they are, headphone Slushee is more appropriate. . . . #두바이 Lotus

Instagram Image by FRAME RECORDS (@frame_records_dxb) with caption : "FRAME RECORDS (F-0587) 🎧 !!!/Shake The Shudder
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When a band has been around for 20 years, it's only natural to assume" at Dubai Design District - 1784224792730058904

FRAME RECORDS (F-0587) 🎧 !!!/Shake The Shudder . . When a band has been around for 20 years, it's only natural to assume they are going to start making albums that sound like uninspired knock-offs of their best work. It hasn't happened yet for !!!, and by the sound of Shake the Shudder, it doesn't seem like sucking is on the band's to-do list in the near future, either. !!! have come a long way from their beginnings but also stayed remarkably the same. Shake the Shudder is the work of a band that know exactly what works for them, while still being willing to try new things. It's a winning combination of past, present, and future that bodes well for !!!'s future making plenty more great albums like it as they continue to be one of the last great dance-punk bands of the '90s left standing.Crafted over a course of months of sweaty rehearsals and recording sessions, then blown up and recorded quickly over a three-day span, Shake the Shudder has all of the band's trademark fierceness, dancefloor-filling rhythms, and boundless energy. This time maybe it's more focused and direct, with beats that slam into the back of the skull like jackhammers, and a parade of guest vocalist who join Nic Offer to hit home their message of inclusiveness and hope in the face of uncertain times. Longtime producer Patrick Ford is on hand to help the band hone things to a fine point, as are a bunch of other guys, including dance music gurus Joakim and Phil Moffa, engineer Matt Wiggins, and the team of Matt Gerhard and Mark Bengston, who gave the album an extra polish. The result is an effort that's a little slicker and less punky than !!!'s usual sound. In return, it's also the most danceable and dire album they've done. . . . #두바이#!!!

Instagram Image by FRAME RECORDS (@frame_records_dxb) with caption : "FRAME RECORDS (F-0586) 🎧 !!!/As If
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The funky, post-punky, always danceable !!! show no signs of slowing down on thei" at Dubai Design District - 1784224304210987176

FRAME RECORDS (F-0586) 🎧 !!!/As If . . The funky, post-punky, always danceable !!! show no signs of slowing down on their sixth album, As If. If anything, they keep getting better with each release. Their last record, Thr!!!er, lived up to its title and this record is all-thriller, no-filler too, jammed with songs that almost dare the listener not to dance. Recorded and produced by the band with help from James Ford, Jim Eno, Ewan Pearson, Chris Coady, and Chris Woodhouse, and culled from an intense session of songwriting done by driving force Nic Offer and bassist Rafael Cohen, the album was recorded in studios around America. Despite the various locales and collaborators involved, the album is focused and tight as it deals out pounding grooves and thundering basslines. Add in wire-tight guitar, wobbling old synths, and Offer's unhinged vocals and it's vintage !!! with a little extra energy added. . . . #두바이#!!!

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image by @paris_tokyo_kr with caption : "주변에 건물이 없어서 작아보였던걸까 나에게 두바이여행은 뜨겁고 따갑고 숨쉬기힘든 여행이였지만 너무너무 좋았어#😗#😙 #나홀로여행 #아랍에미레이트 #아부다비 #두바이 #너무더워 #꿈같은시간 #사막 #뜨거워 #버즈알아랍"- 1784202087777913672
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주변에 건물이 없어서 작아보였던걸까 나에게 두바이여행은 뜨겁고 따갑고 숨쉬기힘든 여행이였지만 너무너무 좋았어#😗#😙 #두바이 #

트레이닝컬리지 갔다가 우연히 만난 길냥이~♡ 미안 ㅋㅋ 언니가 가진게 없어 지금은 ㅋㅋ 담엔 맛난거 챙겨올께♡#두바이😻💕

Sweatha🌙강리나 (@sweatha95) Instagram Profile Photo sweatha95

Sweatha🌙강리나

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Happy Birthday, @rahuldhal94 ! One dumbass's video featuring the other dumbass 😂 #두바이 @oldschoolrock95 🤓🤘🏼🌈